Hello from the Big Apple. It's always good to be here, where I've spent more of my life than anywhere else, exactly 17 years (I moved to New York in August 1983 at age 22 to start
my professional life as a musician and left to take a faculty position at the University of Michigan in August 2000). Of course I still spend a lot of time in New York (and remain a member of
Local 802) and I enjoy my relationship now with the city more than ever. Usually I am here for no more than a week at a time, as is the case on this visit. I still feel very much at home here and know my way around Manhattan, Brooklyn, and Queens (never really did know the Bronx and certainly not Staten Island)...and just about the time the stress of dealing with the city starts to grind me down a bit, it's time to go home to South Carolina. So basically I feel that I'm getting the best of what New York has to offer in limited doses, which is a good policy to follow. But it helps to have lived here so long so that you really know how to get the most out of your time and how to avoid as many hassles as possible.
Oh yes, I almost forgot...there is a reason for my being here. This Friday evening, Nov. 11, at 7:30 PM, I'll be playing a solo recital at
St. Peter's Church at 346 W. 20th St., in the Chelsea neighborhood. The program is one I have done a few times in the last year or so, in Columbia, Ann Arbor, and Milwaukee; it features
Maurice Ravel's lusciously beautiful piano suite,
Miroirs, composed one hundred years ago. Rather than playing the five movements of the piece together as is traditionally done, in this program I pair each of the Ravel movements with a short modern piano work written in the last twenty-five years, in each case something that to me evokes an association with its "mirror" Ravel piece. If you'd like to read a better description of what I'm talking about,
here is a review of this program from my performance of it last June in Milwaukee.
The concert is only $10 at the door and it's a short program. I'll open with an early Mozart sonata, K. 282, and then the "Ravel-Plus" will follow, with no intermission. All told, you'll be out of there by 8:45 and can have a nice dinner in one of Chelsea's many marvelous restaurants. So if you are reading this in New York, or planning to be in the city Friday night, please come on by.